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Artist: Caledonian
Genre(s):
Gothic
Discography:
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Acolyte
Year: 2002
Tracks: 7
 
PUBLIC ENEMY star CHUCK D is nervous about reuniting with his bandmates - because he fears he has forgotten the lyrics to their hit tracks.
The hip-hop band has agreed to reform to mark the 20th anniversary of their 1988 album It Takes A Nation Of Millions To Hold Us.
But the rap pioneer is nervous about the band's forthcoming U.K. tour - because he can't remember all the words to their songs.
He says, "Just trying to remember all the lyrics is going to be hard. Some people have a gift for that, but I never had. Always found it difficult. We ain't all been together in a room for an age and we got some figuring out to do when we meet up next week. But, hey, what's the worst thing that can happen? You're going to write a bad review? Ain't no big deal. We're beyond all that now."
Riding a wave of success following lead roles in the latest installment of 'Indiana Jones', 'Transformers' and 'Disturbia', Shia LaBeouf returns in a new action movie entitled 'Eagle Eye' due out in September. Catch the trailer here.
Photo courtesy of DreamWorks.
NEW YORK - Despite its amiable demeanour, "Saved" does not offer born-again, musical-theatre salvation.
This modest, mild-mannered musical satire, which opened Tuesday at off-Broadway's Playwrights Horizons, softens the cartoon contours of the cult 2004 movie on which it is based. What's worse, it doesn't provide enough compelling reasons to sing.
But then the show is basically a one-joke entertainment, spoofing the peculiarities of the students at a Christian high school. Book writers John Dempsey and Rinne Groff - who also helped with lyrics - push the slight story to its limit.
Their reworking of the tale of a good girl who gets pregnant after hoping to cure her devout boyfriend of being gay is stretched out with songs by Michael Friedman - pop-lite musical numbers that only occasionally bring the show to life under Gary Griffin's sluggish direction.
A game, eager cast, headed by the sweetly appealing Celia Keenan-Bolger as Mary, the poor, pregnant student, works very hard to put across the material. In the movie, Mary's pregnancy happens quickly. Here it takes until the first-act curtain to find out the girl is going to have a baby.
In between, we are introduced to the school's other students, most prominently Hilary Faye, its most popular student and leader of the Christian Jewels girl group. She's the most zealously religious, a true believer who runs roughshod over those who don't share her determination.
In what is the show's best musical moment, Hilary Faye, played by Mary Faber, imagines a perfect world that "feels like heaven" - and, of course, none of it is true.
There's also the pregnant girl's mother, just voted Christian interior decorator of the year, who seems to have a thing for the head of the school, Pastor Skip. Even though the man's long-absent wife is still in Africa going missionary work, it's a romance that doesn't go anywhere, wasting the considerable talents of Julia Murney and John Dossett.
What few zingers the show provides come from Morgana Weed, who portrays the tough-talking Cassandra, the school's only Jewish student. Cassandra is a lightning rod for persistent conversion attempts by Hilary Faye and her cohorts. Fortunately, the missionary work never pays off.
Scott Pask's setting - a backdrop of colourful, brightly lighted squares - is cheerful. So is the minimal yet charmingly athletic choreography of Sergio Trujillo. Yet even this abundance of energy radiating from a cast in perpetual motion can't make "Saved" more than fitfully entertaining.